Вот перевод на английский:

This collection is the result of a two-month journey that began as a work trip — meetings with textile studios, developing prints, selecting fabrics. Paris, Venice, Florence, and other cities became part of the process, where work intertwined with daily observations, impressions, and emotions from each place.

Paris is all about clarity of structure and understated luxury. Venice is an overload of visuals: gold, water, reflections, flags, boats. Florence is greenery, blooming, light. All of this shaped the visual language of the collection. Some elements are directly linked to places and moments:

Green chiffon — the gardens of Florence.

Petal Noir print — a tree in the hotel garden.

Air de Pastel — Venice in motion: houses, flags, boats, water, and sky — all different and disjointed, interwoven into a living tapestry.

The black dress with ribbons — the elegance of a late summer evening.

Gradually, an image of the heroine emerged: a woman who travels extensively and adapts easily to new situations. She dresses effortlessly, always with an air of poise and an inner aristocratic elegance.

For this new collection, I designed my own prints for the first time. This became a continuation of the visual diary I had kept during the journey. For me, this step meant learning to speak the language of fabric not only through cut and details, but also through design.

Creative work while traveling allowed me to hear myself and make precise, conscious choices. The silhouettes and shapes of the collection are fluid, they glide and echo the movement of the body, without being weighed down by accents. The essence is clarity, simplicity, and the absence of excess.

Working on the collection became a form of personal dialogue with the team. It was their experience and attention to detail that turned impressions into reality.